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Herbert Lom and Stanley Baker butch it up as a
couple of fur lined/ leather jacketed brother truckers in Cy Endfield's
knock-yer-socks-off crime drama Hell
Drivers from 1957. The screen is from a spanking new Network/ITV/Canal
Blu-ray derived from a terrific HD encode which appears to be sourced from
original horizontal 8-perf VIstavision elements. Hence the dazzling, razor
sharp high contrast brilliance of the B&W image in this rarest of beasts, a
B&W VIstavision movie. Others include Fear
Strikes Out (Robert Mulligan, 1956), and Short Cut to Hell (1957), the latter directed by James Cagney.
Interestingly Network has taken the AR back to an original narrow-ish 1.66
which was the first screening format theatrically for the more common 35mm non
Vistavision reduction prints, rather than recent DVD releases which were masked
to (TV-friendly) 1.78.
On paper the drama looks like a cross between
Clouzot's Le Salaire de la Peur (France,
1953) and Walsh's terrific 1940 They
Drive by Night but Endfield focusses on the internal conflict within the
team of drivers in substantially adapting his own screenplay from a short novel
by John Kruse.
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The movie bristles and pumps with conflict and
deception between the men, which Endfield choreographs much as he does other
alpha male group pieces like Zulu (UK,
1964) and Sea Fury (UK, 1958).
Endfield's own devotion to the all male core of the conflict removes the film's
tone from Noir to something much closer to Losey on a psychological sphere, and
on a larger scale. HIs career needs quite some re-appraisal.
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