Ken Burns (and Lynn Novick) |
I’ve been watching Ken Burns’ Country Music series on S.B.S. Hard to find a topic I’m less interested in - well he did do baseball - but Burns' craft is extraordinary. I rate his WW2 The War as the best non-fiction film I ever encountered, edging out Cousteau’s Aswan Dam movie, Kevin Brownlow’s Unknown Chaplin and Project 20 :The Great War.Imagine my glee when I found the box set in Paris for five bucks. It was only later when I realised it was the French version, where Phillipe Torreton’s narration replaces Peter Coyote, that disillusion set in. I made a European chum’s day with that one.
Country Music I don’t rate as Burns best work though his treatment of Kris Kristofferson is exceptional. (“All the words was already in the dictionary but it was Kris who found the order to put them in”.) Curiously Burns almost never draws on his subjects’ Hollywood work. Dolly Parton does get a brief Nine to Five clip in the episode largely devoted to her.
Roy Acuff |
Roy Acuff proves to be the Grand Ole Man of Country which doesn’t go with the oblivion that has engulfed his movies. I always remembered the 1944 Smokey Mountain Melody, which is not a particularly good film. (It’s directed by Ray Nazzaro for Crissake!) However, the thing that makes it conspicuous is the way Acuff’s presence has been allowed to invade the B movie western format. Roy is appointed to take control of the ranch, arousing the resentment of all the cowboys who take a dim view of him letting migratory workers camp on the range, tearing down electric fences and attending to ailing steers, along with having the Smoky Mountain Boys strike up a tune at barn dances.
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