From Bunuel's sublime El
The virginal choirboy,
the submissive priest,
the intervening eyes of the movie's leading man Arturo de Cordova,
The final screen shows our Sadean hero meticulously curating his collection of sewing paraphenalia, lifted directly from the pages of the 120 Journées de Sodom, as written by the master.
One of the greatest comedic works of blasphemy in cinema.