Showing posts with label Cineteca Bologna. Show all posts
Showing posts with label Cineteca Bologna. Show all posts

Sunday, 28 June 2026

A BOLOGNA DIARY - IL CINEMA RITROVATO DAY 8 - Charlie Chaplin, Mitchell Leisen, Josephine Baker, a group photo and final critics' chart


Highlight of the official final night of Il Cinema Ritrovato 2026 was the screening in the Piazza Maggiore  of one of the ten greatest films ever made Charles Chaplin's A Dog's Life (USA, 1918) in a double bill with Charlie's Shoulder Arms (1918), accompanied by a full orchestra conducted by Neil Brand. Dave Kehr of MoMA in New York, which did the restoration, succinctly explained how they had gone back and found the original material and thus were able to supersede the version long circulating that Chaplin himself had put together from out-takes and other sources. Dave's intro was then followed by some interminably long and  totally already known thoughts offered by Arnold Lozano of the Association Chaplin/Roy Export, the price you probably have to pay to keep in good with the zealous protectors of the great man's legacy. 

Ginger Rogers PR shot for Ladyin the Dark

Before that happened there had been a screening of one of Mitchell Leisen's failures, Lady in the Dark (1944). The main problem was that some idiot at Paramount, not named by Wikipedia in its succinct description, decided to remove most of the Kurt Weill & Ira Gershwin songs that thrilled Broadway audiences in 1941. Wikipedia says: "The film version cut most of the Weill/Gershwin songs from the score. .. Part of "My Ship" was hummed by Ginger Rogers, but the song itself was never sung." If you want to know about the song here's Julie Andrew singing it in Star. The Technicolor archive 35mm print on display was sensational. In its day the film was a 'success".

Josephine Baker, The Siren of the Tropics

The afternoon was taken up with the final apparitions of Josephine Baker. Her
Fausse Alerte/False Alarm  from  1942 has her as part of a big ensemble cast as the population of Paris is being called on to respond to German bombing and her silent La Sirene des Tropiques/ The Siren of the Tropics has her as a local who saves the hero, a young man sent out to some colony as  a way of breaking up his relationship. His boss is under instructions to ensure he never comes back. Neither of them are up to the magnificent Zouzou. 

...and here's a bunch of people eating at La Pirata del Porto on the final night...five of them are from the Cinema Reborn Organising Committee... silent film accompanist Maud Nelissen was at the table but has managed to keep herself hidden!

Final night before most head off (Photo Ross Barnard)

Film

Geoff Gardner

Spiro Economopoulos

Ross Barnard

L’Innocente (Luchino Visconti)

 

****

 

Kuroi Junin No Onna/Ten Black Women (Kon Ichikawa)

*

***

 

Ten Seconds to Hell (Robert Aldrich)

 

***

 

***

Osho /The Chess Master(Daisuke Ito)

*

 

 

Amma Ariyan (John Abraham)

*

 

 

Geru No Kobi/The Servant’s Neck (Daisuke Ito

***

 

 

Oborokago/The Inner Palace Conspiracy (Daisuke Ito)

***

 

 

Ladies of Leisure (Frank Capra)

 

 

***

Sunrise (F W Murnau)

 

 

****

Night Nurse (William A Wellman)

 

 

***

The Overcoat (Grigory Kozintsev & Leonid Trauberg)

 

 

*

La Bugiarda (Luigi Comencini)

 

 

***

Putney Swope (Robert Downey)

 

 

***

Eight Girls in a Boat (Richard Wallace)

*

 

***

The Devils (Ken Russell)

 

***

****

Mirages de Paris (Feodor Ocep)

**

 

 

The Cycle (Darish Mehrjui)

****

 

 

Curse of Frankenstein (Terence Fisher)

 

***

***

La Derive (Paule Delsol)

***

 

**

Perfume of the Lady in Black (Francisco Barilli)

 

***

 

Accident (Joseph Losey )

 

**

***

The Damned (Luchino Visconti)

 

***

 

Die Fremde Vogel (Urban Gad)

***

 

 

Senso (Luchino Visconti)

 

****

 

Lenny (Bob Fosse)

 

***

 

Zouzou (Marc Allegret)

**

 

 

Meren Kasvojen Edessa/By the Edge of the Sea (Teuvo Puro)

 

 

**

What Price Glory (Raoul Walsh)

 

 

***

L’Image Originelle – Wim Wenders (Pierre Henri Gibert)

 

 

***

 

Drakula in Istanbul (Mehmet Mutar)

 

 

**

Sa Dam Ying/Big Boss Sis (Chung Sun)

 

**

**

Clash By Night (Fritz Lang)

 

 

***

Tales of Manhattan (Julien Duvivier)

**

 

**

Young Man with Ideas (Mitchell Leisen)

***

 

 

Darling, How Could You! (Mitchell Leisen)

***

 

 

Nagarik (Ritwik Ghatak)

**

 

 

A Man on the Beach (Joseph Losey)

***

 

 

House of Usher (Roger Corman)

 

***

 

Death in Venice (Luchino Visconti)

 

***

 

The Pornographers (Shoehei Imamura)

 

**

 

Peking Opera Blues (Tsui Hark)

 

***

 

A Dog’s Life (Charles Chaplin

****

 

 

Lady in the Dark (Mitchell Leisen)

*

 

 

False Alarm/Fausse Alerte (Jean de Baroncelli)

**

 

 

Ossessione  (Luchino Visconti)

 

 

**

Princesse Tam Tam (Edmond T Greville)

 

 

***

The Bartered Bride (Max Ophuls)

 

 

**

Wednesday, 24 June 2026

A BOLOGNA DIARY - IL CINEMA RITROVATO DAY 5 - Nostalgia - Vittorio Cottafavi - Asta Nielsen - Updated critics' chart

OK here are a couple of photos  that came to light as dinners were consumed and nostalgia reigned. They both feature my friends Ross Barnard and Tony Rayns. One was taken in 1986 at the Sydney Film Festival  and the other last night after a splendid Cantonese noshup at Chung Fai just off Via Dell Independenza in Bologna, where we were welcomed back with open arms. 



Today featured more Mitchell Leisen, his frenetic Swing High, Swing Low and a repeat of one of the lesser Daisuke Ito's. Treasures were found elsewhere and each had a full house. Vittorio Cottafavi first came to attention way, way back. I reckon it was an out of the blue notice in an early edition of Movie. "Who is Vittorio Cottafavi" rang out when it became known he had directed a number of those Italian sword and sandal epics that were briefly a thing. Il Cinema Ritrovato unearthed a 57 minute TV film apparently made as part of a TV series called "Racconti dell'Italia di oggi". The catalogue comes up with the title The Cutting of the Forest. The film itself simply says "Woodcutting". It's about a widowed 35 year old played by Gian-Maria who wins contracts to cut down forests. His two kids are hardly ever seen, looked after by his sister. His crew of workers are articulate about the ills of society. Rivetting and a model of a kind of state-sponsored filming of society that is rarely seen. 

Die Fremde Vogel 

Then there was Asta Nielsen in a beautifully restored copy of her Die Fremde Vogel. The catalogue tells us that the film was b
acked by an unprecedented promotional effort, Urban Gad's Der fremde Vogel was released simultaneously in several German cities on November 11, 1911. Part of the first "Asta Nielsen series," the film marked a radical departure in early cinema, establishing the star system as the foundation for a new production model in Germany based on feature films. Produced by Deutsche Bioscop GmbH for Projektions-AG Union (PAGU), the internationally successful series and its pioneering promotional campaigns helped establish Nielsen as one of the first stars of European cinema. Mashe Matzke's overlong intro gave a lot of detail already in the printed catalogue. The film gripped from the start - very subtle for its time. 

Film

Geoff Gardner

Spiro Economopoulos

Ross Barnard

L’Innocente (Luchino Visconti)

 

****

 

Kuroi Junin No Onna/Ten Black Women (Kon Ichikawa)

*

***

 

Ten Seconds to Hell (Robert Aldrich)

 

***

 

***

Osho /The Chess Master(Daisuke Ito)

*

 

 

Amma Ariyan (John Abraham)

*

 

 

Geru No Kobi/The Servant’s Neck (Daisuke Ito

***

 

 

Oborokago/The Inner Palace Conspiracy (Daisuke Ito)

***

 

 

Ladies of Leisure (Frank Capra)

 

 

***

Sunrise (F W Murnau)

 

 

****

Night Nurse (William A Wellman)

 

 

***

The Overcoat (Grigory Kozintsev & Leonid Trauberg)

 

 

*

La Bugiarda (Luigi Comencini)

 

 

***

Putney Swope (Robert Downey)

 

 

***

Eight Girls in a Boat (Richard Wallace)

*

 

***

The Devils (Ken Russell)

 

***

****

Mirages de Paris (Feodor Ocep)

**

 

 

The Cycle (Darish Mehrjui)

****

 

 

Curse of Frankenstein (Terence Fisher)

 

***

***

La Derive (Paule Delsol)

***

 

**

Perfume of the Lady in Black (Francisco Barilli)

 

***

 

Accident (Joseph Losey )

 

**

 

The Damned (Luchino Visconti)

 

***

 

Die Fremde Vogel (Urban Gad)

***

 

 

Senso (Luchino Visconti)

 

****

 

Lenny (Bob Fosse)

 

***