CINEMA REBORN - FEBRUARY NEWSLETTER - 'Tell no lies': Four anti-colonial films by Sarah Maldoror and Flora Gomes

Cinema Reborn always hopes to draw its programme of new restorations from all corners. Our 2026 season will include two programmes devoted to the rich but virtually unknown cinema of Africa.  These programmes will be presented on a single evening in both Sydney and Melbourne.

---

Mortu Nega (Dir. Flora Gomes, Guinea-Bissau, 1988)

4K Restoration, Australian Premiere

‘Gomes often says that cinema is rhythm, music, and above all, light. His enormous sensitivity to social nuance and his tempered optimism fill in the chiaroscuros of the everyday.’ – Ela Bittencourt, Metrograph Journal

The year is 1973 – the tail end of Guinea-Bissau’s eleven-year war against Portuguese colonial rule. A woman, Diminga (Bia Gomes), searches for her wounded partner, Sako (Tunu Eugenio Almada), among the rebel forces at a military camp. When the story seamlessly skips ahead to the mid 1970s, guerilla warfare has given way to the couple’s life together as celebrations in their fledgling nation are dampened by straitened conditions.

The first fictional feature film produced in independent Guinea-Bissau, Mortu Nega dwells – as its title loosely translates – on ‘those whom death refused’. Flora Gomes’s representation of the struggle of everyday life as just another kind of war, and of how challenges are dealt with through tools and processes embedded in the native culture, echoes and fulfils the desire expressed by the revered anti-colonial leader, pan-Africanist and poet Amílcar Cabral: for Bissau-Guineans to film their own people, country and liberation.

The latest restoration from Martin Scorsese’s World Cinema Project, Mortu Nega is 

part of the African Film Heritage Project, an initiative created by The Film 

Foundation’s World Cinema Project, the Pan African Federation of Filmmakers 

and UNESCO – in collaboration with Cineteca di Bologna – to help locate, 

restore, and disseminate African cinema.

Introduced by Lucia Sorbera at Ritz Cinemas and Guido Melo at Lido Cinemas

For session times and tickets at the Ritz click on this link

For session times and tickets at the Lido click on this link

---

Festa: A Trilogy by Sarah Maldoror (France, Cape Verde, Guinea-Bissau 1979–1980, 91 minutes)

Australian Premiere, 4K Restoration

‘In this trio of shorts, Sarah Maldoror interweaves culture, tradition and politics, somewhere between documentary and poetry, culminating in a singular result.’ –Annouchka de Andrade

‘In today’s times, it’s hard to imagine an artist – a Black woman, no less – being so principled yet so prolific, particularly in a medium as capital-intensive as cinema.’ – Devika Girish, The Film Comment Letter

Best known for her radical and groundbreaking 1972 film Sambizanga (Cinema Reborn 2022), Sarah Maldoror directed more than 45 shorts, documentaries and feature films from the 1960s until her passing in 2020. In 1979, having chronicled the anti-colonial liberation movements of Angola and Guinea-Bissau, Maldoror travelled to the islands of Cape Verde to document the nation’s first years of independence from Portuguese rule. Immortalising the period before the Guinea-Bissau coup d’état of November 1980, in which the union of the two countries was broken, Maldoror produced three shorts: Fogo, l’île de feu (1979, 33 mins), Cap-Vert, un carnaval dans le Sahel (1979, 28 mins)and À Bissau, le carnaval (1980, 30 mins). Forming a loose trilogy, these poetic documentaries beautifully capture the jubilance of Cape Verde and Guinea-Bissau’s Carnival and May Day preparations and festivities, serving as a testament to culture as the foundation of liberation.

Introduced by Annouchka de Andrade via video link.

For session times and tickets at the Ritz click on this link

For session times and tickets at the Lido click on this link

---

MULTI-TICKET DISCOUNT PASSES

We are responding to public demand by introducing a discount pass for those who want to see the maximum of Cinema Reborn at the lowest possible price. Five ticket passes are $80 and ten ticket passes are a super-bargain at $140. Each ticket allows a maximum of two redemptions per session.

To buy a pass for sessions at the Ritz click here and fill in the box for which Voucher you wish to purchase

To buy a pass for sessions at the Lido click here and fill in the box for which Voucher you wish to purchase.

EARLY PROGRAMME ANNOUNCEMENTS

We have already announced a bundle of titles that will screen in our 2026 season. For information about session times and links to bookings head to the Cinema Reborn website

CHARITABLE DONATIONS

Cinema Reborn charges regular Ritz and Lido admission prices with the lowest student discount tickets of any festival. We keep to these admission charges thanks to tax deductible donations from our friends and supporters. We have once again set up a page via the Australian Cultural Fund to receive donations of any size, large or small. You can find it IF YOU CLICK ON THIS LINK

Bill

CINEMA REBORN 26 APRIL- 2 MAY - MARGOT NASH AND JASON DI ROSSO DISCUSS THE LONG FAREWELL - CATALOGUE GOES ONLINE - AFRICAN CINEMA - WHAT'S POPULAR

The Long Farewell

MARGOT NASH DISCUSSES THE LONG FAREWELL  ON ABC RADIO

This week's Screen Show and podcast by Jason Di Rosso on Radio National is already posted and you can listen to it IF YOU CLICK HERE

The show features a fascinating discussion between Jason and film-maker Margot Nash about Kira Muratova's The Long Farewell  a highlight  of Cinema Reborn 2023 and  one of the first public screenings in Sydney of any film by this remarkable Ukrainian director who worked both before and after the Soviet era and made over twenty films.

Margot will be introducing the film, at what we think may be the film's first ever public screening in Australia,  at the session at 10.45 am on Saturday 29 April. There is a second screening at 6.15 pm on Tuesday 2 May. If you want some further preparation, Adrian Martin Martin has written some brilliant program notes about Muratova and the film which are posted HERE ON THE CINEMA REBORN WEBSITE

CATALOGUE

This year's Cinema Reborn catalogue runs to 92 pages and contains extensive commentary on all nineteen of the films we are screening in 2023. A limited number of copies have been printed and will be on sale at the Cinema Reborn Information Desk in the Ritz foyer. Price is $5 cash only. If you wish to reserve a copy for collection and payment at the desk send an email to foleykaren11@gmail.com 

One of the contributors to the catalogue is Cinema Reborn's friend Marshall Deutelbaum. Marshall is Professor Emeritus in English at Purdue University in Indiana. Marshall has contributed a superb short essay on our silent masterpiece Sunrise (F W Murnau, USA, 1927) recently voted eleventh greatest film of all time in the recent Sight & Sound poll. Marshall's response to the printed catalogue was succinct: "The printed program is fantastic! It's so substantial. What a rich gift for its readers! I love how you have illustrated familiar films with fresh, unfamiliar images. Their freshness underlines the care with which the entire program has been thought through and assembled. Congratulations."

We have already posted the entire catalogue online so if you want to get started on reading about each of our films or download it for ready reference for ever you can do so IF YOU CLICK HERE 

BLACK GIRL AND AFRICAN CINEMA AT CINEMA REBORN

Cinema Reborn has had an interest in African cinema since our first year in 2018 when we showed two remarkable films by the Egyptian film-maker Shadi Abdelsalam. In 2022 we screened the first feature film made by a woman in Africa, Sarah Maldoror’s Sambizanga. This year our attention turns to Senegal and a program of three films made by the country’s two most renowned film-makers Ousmane Sembene and Djibril Diop Mambety. If you would like to read the superb program notes on the films on our website written by Hamish Ford, senior lecturer in Screen and Cultural Studies at the University of Newcastle CLICK HERE.

 

In addition to Hamish’s notes those who attend the program will have the benefit of a video introduction by one of the world’s foremost authorities on Ousmane Sembene and Africa Cinema, Professor Samba Gadjigo of Mount Holyoke College in Massachusetts.  The introduction was set up and recorded by Cinema Reborn Organising Committee member Angelica Waite and has been edited by film-maker and serious cinephile Ben Cho. Thanks go to all for the effort that was needed to get this done

 

Samba is Helen Day Gould Professor of French at Mount Holyoke College. His research focuses on French-speaking Africa, particularly the work of filmmaker Ousmane Sembene. His 2015 documentary, Sembene!, co-directed by Jason Silverman, is a biopic focusing on Sembene’s life and work, exploring the themes developed in the biography through interviews and extensive footage from Senegal, Burkina Faso, and France.

 

In 2016, Samba received the Faculty Award for Scholarship in recognition of his ‘international, multi-disciplinary career – a career throughout which his own story-telling has merged with that of Sembene’s, interweaving African literature, film, history, politics, and indeed these with language and with life itself.’ His writing has appeared in African Cinema and Human Rights, Research in African Literatures, and Contributions in Black Studies.

 

All of the African films screened at Cinema Reborn have been supplied to us thanks to Cineteca di Bologna/ L’Immagine Ritrovata laboratory which has undertaken an extensive program of African cinema restoration using funding provided by The Film Foundation’s World Cinema Project, the Doha Film Institute and The Hobson/Lucas Family Foundation. This work is part of the African Film Heritage Project, an initiative created by The Film Foundation’s World Cinema Project, the Pan African Federation of Filmmakers and UNESCO – in collaboration with Cineteca di Bologna – to help locate, restore, and disseminate African cinema.

TOP FIVE SELLERS AT CINEMA REBORN 2023 SO FAR

LA PISCINE (Jacques Deray, France, 1969)

THE TRIAL  (Orson Welles, France, 1962)

THE LAST EMPEROR (Bernardo Bertolucci, UK/Italy, 1987)

BLIND SPOT + SERIOUS UNDERTAKINGS (Claudia von Alemann, West Germany, 1980 & Helen Grace, Australia, 1983)

THE MOTHER AND THE WHORE (Jean Eustache, France, 1973)

Click on the the film title to go to the Cinema Reborn website program notes, links for bookings, restoration details and more

Serious Undertakings

Tax Deductible Charitable Donations

Cinema Reborn is an organisation devoted exclusively to exploring the Cinema's heritage. It is managed and organised by a group of dedicated film professionals here working solely on a voluntary basis to assemble an annual selection of cinema classics from around the world.

Cinema Reborn has relied, since its inception, on the generosity of donors who support our aims and are committed to the annual project of bringing cinema classics back to a big screen in perfect new digital copies. Without such support the event could not be presented.

 

To make a large or small tax deductible donation to support our work CLICK HERE TO GO TO THE AUSTRALIAN CULTURAL FUND

CINEMA REBORN 2022 – April 27 to 1 May – Ritz Cinemas Randwick THREE FILMS FROM BEYOND THE MAINSTREAM

Sambizanga

Sambizanga, the first film to be screened at Cinema Reborn from Africa, is also the first feature film to be made and released in Africa by a woman of African descent, director Sarah Maldoror. Maldoror co-wrote the script with her compagnon Mario de Andrade, co-founder and first President of the Angolan Liberation Movement against the Portuguese.

Lost for decades in a battle over rights, Sambizanga has finally been restored with help from Maldoror’s children and Martin Scorsese’s Film Foundation. Restored in 4K at L’Image Retrouvée (Paris) from the 35mm original negatives in association with Éditions René Chateau and the family of Sarah Maldoror. Funding provided by Hobson/Lucas Family Foundation. This restoration is part of the African Film Heritage Project, an initiative created by The Film Foundation’s World Cinema Project, the Pan African Federation of Filmmakers, and UNESCO – in collaboration with Cineteca di Bologna – to help locate, restore, and disseminate African cinema. 

 

At Cinema Reborn’s website you can find a superb set of notes about the film by Helen Goritsas as well as a short introductory note by Sarah Maldoror’s daughter Annouchka De Andrade. Click though on this link to screening times (Screens twice). CLICK HERE

 

To book go direct to the Ritz Cinemas website HERE

 

Behrouz Vossoughi, The Deer

Premiered at Tehran International Film Festival in November 1974, The Deer  was an instant sensation and Behrouz Vossoughi's magnificent performance as Seyyed won him the Best Actor prize. Shortly afterwards, however, director Masoud Kimiai was arrested during a violent raid by SAVAK, the Iranian secret service. A few days later, the film was banned.

 

The Deer is being sent to Cinema Reborn by Iranian-born filmmaker Ehsan Khoshbakht who has devoted a huge amount of his time to re-assemble the film. What can we expect. Ehsan writes:While I can imagine the majority of the films shown at Cinema Reborn are beautifully restored copies, one should note that this format inevitably brings some limitations: a great number of restored films are those which (often rightly but not always) have passed through the filters of national and cultural significance defined by big institutions and companies, with the idea of contributing to a cultural agenda and whenever possible bringing in some revenue. But what if a film is not endorsed by the institutions and people who have control over it, such as national archives and ministries of culture? What if a film is completely repressed, denied and locked away? That is the case with The Deer, of which it is believed there are no key elements (such as a camera negative) remaining. It is a film that, owing to the cultural totalitarianism of the current regime, cannot be shown – let alone salvaged. 

The version presented at this festival – the result of the sheer enthusiasm of various individuals – is a scan of the director's rather battered positive print. Its multiple missing and damaged scenes are completed from other copies. The National Film Archive of Iran provided some of the missing elements, as well as the censored ending of the film, which will be screened right after the original ending. The result of this home-made "reconstruction" should enable you to see a film whose images are so charged with passion that any imperfections of the copy will immediately move to the background. Even as you notice the faults, every scene of this charmingly scratchy copy will leave a scratch on your soul. 

 

At Cinema Reborn’s website you can find Ehsan’s complete notes. Click though on this link to screening times (screens twice). CLICK HERE

 

To book go direct to the Ritz Cinemas website HERE

 

Batch '81

The boldest and likely most controversial film to be screened at Cinema Reborn 2022, Mike De Leon’s BATCH ’81, was made in the Philippines in 1982 when the Marcos family were still pillaging that country. it is in fact an allegorical treatise on the nature of fascism, particularly that of the very same Marcos administration. This is a film from a Third World country which has been compared to Stanley Kubrick’s A Clockwork Orange. For our comprehensive program notes on the film Cinema Reborn has been fortunate to obtain permission to reprint the outstanding analysis of the film, in which the comparison with Kubrick’s work is laid out in fine detail, by the highly regarded Filipino critic Noel Vera. You can read Noel’s notes plus a specially written biographical note on director Mike De Leon by British critic Tony Rayns plus find links to session times (screens once only) if you CLICK HERE

 

To book go direct to the Ritz Cinemas website CLICK HERE.

************* if you are minded to make a tax deductible donation, large or small, to support the work of our all-volunteer group and bring more film classics back to the screen in Sydney click here for  THE AUSTRALIAN CULTURAL FUND

 ....and if you want to maximise your attendance think about joining THE RITZ ROYALTY CLUB and save on all admissions. Seniors get additional savings.

*******************************************

The full Cinema Reborn 2022 Program is now listed on the Ritz website CLICK HERE More essays and Program Notes will be published on the Cinema Reborn website shortly and you will soon be able to download a copy of the full catalogue containing all the notes plus more.