Associate Editor
(Restorations and Revivals) and member of the CINEMA REBORN Organising
Committee, Simon Taaffe has come across the following films being screened at institutions
around the world. So…folks time to resume a Film
Alert tradition…
Wim Wenders |
A selection of eight early and mid-career Wim Wenders at Lyon’s
Institute Lumière. Includes a personal favourite, the director’s quite
remarkable Patricia Highsmith adaptation The
American Friend based on the great lady’s second Ripley novel “Ripley’s Game”. If you can get to Lyon
check out the Wenders restorations
At
New York’s Film Forum a rare treat of Laurel and Hardy. Stan and Ollie star in four
newly restored shorts: BRATS, THE
CHIMP, HOG WILD, and BERTH MARKS. Restored by UCLA Film &
Television Archive. Hog Wild restored
to its original Vitaphone aspect ratio. Brats and Berth Marks restored to their original Vitaphone soundtrack. I f you can get to New York head for the Film Forum.
I
still remember a wonderful screening of G W Pabst’s Pandora's Box at Sydney’s State Theatre with a marvelous live score
by Jen Anderson, If you are in London
you can see a new copy of the film at the BFI. The website Silent London
reports: The
version that will be shown is a 2K DCP of the 1997 Munich Film Museum
restoration, not the more recent one, which is slightly disappointing, but that
said, I saw this version on a big screen recently and it really is grand. The
print really does well by Gunther Krampf’s complex patterns of light and shade
in his cinematography, and there is enough detail to highlight all the nuances
and symbols lurking in the background. Louise Brooks sparkles as she ought to,
of course. Details here
The Sea Wolf |
Also
at the Film Forum Michael Curtiz’s 194 The
Sea Wolf described thus “From out of the frying pan... Post-collision at sea, Ida
Lupino is rescued — but by Edward G. Robinson’s Wolf Larsen. With John Garfield
as the inevitable rebel, as the oppression, mutinies, and sacrifices ensue.” If you read Barrie
Pattison’s book on Curtiz you get an enthusiastic response to one of the major
Curtiz films, now playing on DCP in a complete uncut pre-release version, with 14 minutes of
restored footage. Details here.
Kenji Mizoguchi |
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