There are now nine Asian films running
in Sydney’s surviving down town multiplex as against twelve English language
movies. I frequently find myself the only gweilo in there - occasionally the
only customer but that happens with the English language product too. Any
comparison between the returns is a secret guarded as closely as nuclear
fission.
Cook Up A Storm |
I just saw the Chinese COOK UP A STORM
(Raymond Yip, China, 2016), which is totally synthetic despite being the
product of their A-list talents, mashing up half a dozen plots including EAT
DRINK MAN WOMAN (Ang Lee, Taiwan, 1994). It edged the Star Wars movie out of
the schedule.
Despite this quantity, which now
approaches the great days of Chinatown cinemas when we saw just about every
Hong Kong film, even the diligent overseas viewer will only be able to guess at
what Chinese Cinema is all about, with another six hundred movies a year
produced and probably never sub-titled.
The King,South Korea, 2017 |
Intriguingly, the Hong Kong survivors seem
to be having a second coming with Jackie Chan, Tsui Hark and Stephen Chow all
doing big earning, accomplished product. Among the newcomers only Feng Xiaogang
(AFTERSHOCK, I AM NOT MADAM BOVARY) appears to be a comparable talent.
Editor’s Note: You have to search for them but some of these
films are reviewed on the Fairfax website. The estimable Jake Wilson in
particular tracks them down. You can read his reviews of Journey to the West and The King if you click on the
links.
No comments:
Post a Comment
Note: only a member of this blog may post a comment.