Associate Editor (Restorations and Revivals) Simon Taaffe has come across the following screenings and other information. Click on the links for times, more detail etc where indicated.
A new season at the Art Gallery of NSW features films from China Taiwan and Iran. As per usual with the AGNSW, the season has to chime in with something else happening at the Gallery. On this occasion the season takes place in association with the exhibition Beyond words: calligraphic traditions of Asia, on display until April 2017.
The films to be shown are all 35mm prints which has its own point of interest. In a number of cases the copies will be those lodged with the National Film & Sound Archive by the former commercial rights holder after the rights have expired. The copies will have been made in the year of production and thus will have been subject to wear and tear and to any fading of the print over time.
The arthouse cinema strikes back. At New York’s Anthology Film Archives, the first anti-Trump seasons of films. To coincide with Trump’s inauguration the institution announced “several different cinematic methods of coping with the inauguration. We’ll mark the weekend with a variety of politically-relevant films, including dystopic alternate-reality or cautionary tales such as IT HAPPENED HERE, PUNISHMENT PARK, and A FACE IN THE CROWD; a special presentation of the seminal underground compilation film, FOR LIFE, AGAINST THE WAR (commissioned in 1967 for a festival organized in opposition to the Vietnam War); and rare screenings of Stan Brakhage’s 23RD PSALM BRANCH and THE GOVERNOR, the first a (Vietnam-inspired) meditation on war, the second the result of Brakhage’s experiences touring Colorado with the state’s then-governor.
“Now that the alternate reality of a certain strand of ‘paranoid’ political films has, to a degree few of us thought possible, come to pass, perhaps it’s time to re-watch these films from our new, disillusioned perspective. Along with other films embodying various strategies of political opposition, they serve to remind us that the struggle to maintain a humanist, progressive society is a perpetual one, that civil liberties and social justice are ever-fragile, and that the cinema represents an important means of grappling with, creating a dialogue around, and at least striving to change the status quo.
“For further, and more contemporary, explorations of the cinema’s capacity to embody political protest and resistance, see details about the series DISRUPTIVE FILM: EVERYDAY RESISTANCE TO POWER, taking place February 15-17.
At the Lyon Institute Lumiere three commercial Italian films including two from the golden age of Italian comedy. I don’t think any of the three had a ‘commercial’ release here but almost certainly they played in the Italian cinemas that screened unsubtitled Italian, and other, films to the Italian immigrant community for quite some years. Among those operating these venues long ago was Antonio Zeccola now the head of the Palace cinema chain
Il Vigile (Luigi Zampa, Italy, 1960) with Alberto Sordi Vittorio de Sica, Marisa Merlini, Mara Berni, Nando Bruno, Riccardo Garrone
La donna della domenica, (Luigi Comencini, Italy, 1975), with Marcello Mastroianni, Jean-Louis Trintignant, Jacqueline Bisset, Maria Teresa Albani, Aldo Reggiani
Poveri milionari, (Dino Risi, Italy, 1959, with Maurizio Arena, Renato Salvatori, Lorella De Luca, Sylvia Koscina, Fred Biscagline