What follows below is a short introductory extract from a much
longer interview, with some fascinating pictures accompanying, which appeared
in the Winter 2016 edition of the online journal Feminist Media Histories. I was interested in the subject having
observed Mariann Lewinsky do intros and lead discussions at Bologna’s Il Cinema
Ritrovato in recent years. The interview was conducted by Victoria Duckett the Director
of Entertainment Production and Lecturer in Screen Studies in the School of
Communication and Creative Arts at Deakin University, Melbourne.
VICTORIA DUCKETT Thank you for agreeing to talk with me
today. I would like
to start by asking you to explain what you do.
Mariann Lewinsky at Cineteca Bologna |
here in Bologna. Il Cinema Ritrovato is by now the major
international festival
for films of the past, screening not only silent films, but also
[films that go] up to the present. This year, for example, the restoration of Chantal
Akerman’s Jeanne Dielman
(France, 1975) was screened here. But I mainly work with silent films.
Victoria Duckett What do you do with these sections? What is
your role?
MARIANN
LEWINSKY: I decide and propose which sections and films I would like to
do. However, there is one section we do every year (since 2003), the “100 Years
Ago” (Cento anni
fa] section, presenting films from one hundred years ago. This is a very
important
source of inspiration for other [festival] sections. For
example, the first feminist or
women’s section I did came from viewing films from and, where I discovered
how strong female comedy was in early cinema; it was a real surprise. These, of
course, were also the years of the suffragette movement. So I decided to do
something on comic actresses and suffragettes. With this program, which I
curated for the 2008 Il Cinema Ritrovato together with Bryony Dixon and Madeleine
Bernstorff, I managed to implement a “women’s section.”
Since then we have regularly done programs dedicated to a
feminist or let’s say a female subject or figure, like “Fearless and
Peerless: Adventurous Women of the Silent Screen” (in 2010, co-curated
with Monica Dall’Asta); directors Alice Guy (curated by Kim
Tomadjoglu), Germaine Dulac (curated by Tami Williams), and Lois Weber
(curated by Shelley Stamp); actress-directors like Musidora and Rosa Porten (curated by
Annette Förster); and many others. By the way, Il Cinema Ritrovato always had a
focus on great actresses, the Italian divas, Lyda Borelli [figure, Bertini,
Menichelli, performers like Loïe Fuller or Sarah Bernhardt which you curated
in 2006….
For the
remainder of this quite long and detailed discussion you will have to go to this post at academia.edu
More on Il
Cinema Ritrovato which takes place in Bologna from 24 June to 2 July 2017 as
news comes through.
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