A shot that does not call for tracks
Is agony for poor old Max,
Who, separated from his dolly
Is wrapped in deepest melancholy.
Once, when they took away his crane,
I thought he'd never smile again.
Is agony for poor old Max,
Who, separated from his dolly
Is wrapped in deepest melancholy.
Once, when they took away his crane,
I thought he'd never smile again.
(James Mason, star of Ophuls, 1948,
The Reckless Moment, and 1949, Caught)
The Reckless Moment, and 1949, Caught)
And for a little more on
Ophuls and details of a future screening of another masterwork you can check out some
notes on his Sans Lendemain
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