Adrian Martin |
There are
just a handful of critics and commentators produced in Australia with
international reputations. Tim Flannery’s writing appears regularly in the
greatest publication in the world The New York Review of Books; Jack Sargeant
gets a guernsey fairly frequently; Barrie Pattison was once a fixture in Motion
and Films and Filming; Philip Brophy contributes most notably to Film Comment
with erudite pieces on sound and music for film. I cant think of others but am
happy to be corrected.
Then there
is the case of Adrian Martin an astonishingly prolific writer for close to
forty years and one whose enthusiasm for the movies has never diminished. His work has been in
any number of the major international cinema journals of our time, the only
such critic and scholar from these parts to achieve such a presence. From his
now permanent base near Barcelona Adrian writes, he lectures, he does DVD commentary tracks, he sits on juries, he curates seasons, and, with his partner Cristina Alvarez López he produces
visual essays. All activities reveal a deep love for and knowledge of
the cinema’s history and a continuing enthusiasm for its discovery and re-discovery.
Adrian has
now, with the aid of master webmeister Bill Mousoulis, managed to get much of
his writing into one place in a very accessible form and with a good search
engine. The website can be found if you click here. A veritable treasure trove of reviews, essays, notes and writing of all
kind opens up.
There is no catch but Adrian is hoping that people who
use the site might like to contribute a little towards its maintenance and
possibly his well-being. Independent scholarship is no easy road these days so
I am urging everyone to have a look and a think.
Meanwhile here’s wishing good luck and the hope that
the site will be updated regularly and that cinephiles everywhere will keep
checking it for both the new and the old.
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