Finally some catch-up, after being dogged by a
severe cold that has virtually brought the last 3 weeks to a standstill.
Chang Chen, Brotherhood of Blades 2 |
With the Northern hemisphere in its final weeks of
summer, the Asian blockbusters have been arriving thick and fast from Hong
Kong, China and South Korea. Two of these releases: Ann Hui's OUR TIME WILL
COME and the Wuxia drama BROTHERHOOD OF BLADES 2 (Lu Yang, China, 2017) are
among the best films I've seen so far this year. Both received short seasons at
the multiplexes but were given slightly longer runs at Melbourne's Chinatown
cinema.
I am a big fan of the original BROTHERHOOD OF
BLADES (Yu Lang, China) from 2014. But the sequel BROTHERHOOD OF BLADES 2: THE
INFERNAL BATTLEFIELD is even better, with tighter scripting, more focus on the
main character, and with a bigger budget has allowed directer Lu Yang to show
just how good a film-maker he has become. In all, this is a top-notch
historical swordplay drama.
Yang Mi, Brotherhood of Blades 2 |
BROTHERHOOD OF BLADES 2 is set during the final
years of the Ming Dynasty, where government and rule-of-law are crumbling under
the weight of corrupt leaders and a population on the verge of open revolt.
We first see Shen Lian (Chang Chen) as a soldier,
literally, rising from the dead as he becomes a survivor of the bloody battle
of Saruh where thousands of Ming soldiers were slaughtered by Manchu rebels.
Fast forward 8 years, and Shen is now a Captain in
the Jin Yi Wei, the Emperor's secret police. He is investigating the murders of
a family of traders, which he suspects are linked to a recent attempt on the
Emperor's life. His boss, Eunuch Wei (Chin Shi Chieh) is also showing an undue
interest in the case. Adding to Shen's workload is a charge of sedition
involving a young artist, and his uncovering of a rebel cell led by a person
from Shen's recent past.
Chin Shi Chieh (r), Brotherhood of Blades 2 |
The film belongs to Taiwanese actor Chang Chen who
hardly cracks a smile in the movie and isn't averse to using his position to
advance his interests. But he's a talented police officer who gets results and
isn't afraid of clashing with corrupt superiors and weakling politicians.
Chinese audiences have embraced this screen anti-hero and it's quite possible
BROTHERHOOD OF BLADES could become a profitable movie franchise.
Director Lu Yang along with the original writer
Chen Shu have created a prequel which covers a broader canvas and lets director
Lu produce some tremendous set-pieces, one being the robbing and burning of the
Royal Archive, with its clever use of shadowy light and pin-point editing it
reminded me of Hong Kong film-maker Tsui Hark - at his best!
Visually the film is a treat, from the dimly-lit
lane ways of Beijing to the verdant beauty of Alpine trails and mountain lakes.
A particular scene set at night in a bamboo forest is a not-so-subtle reference
to similar passages in films from Shaw Brothers and more recently, HERO and
CROUCHING TIGER HIDDEN DRAGON.
My only negative criticism of this pic is the
supposed romance between Shen and the artist Bei Zhai (Yang Mi), which turns
out to exist in an emotional dead zone with both actors looking like they want
to be anywhere else but on set together. Whether by accident or design, the
screen definitely heats up when Shen and the rebel Ding (Xin Zhifei) are forced
to work as a team. There's a passion and energy here that could have been
better directed in creating some legitimate screen appeal.
One of the movie's best sequences has Shen and a
group of followers escaping to the safety of a nearby province. They reach the
border at a mountain pass, with the creepiest and creakiest rope bridge as
their only pathway to freedom. With Eunuch Wei and his troops in close pursuit,
life and death decisions are being made by Shen and his colleagues. Bloodshed
is imminent as the soldiers arrive to face warriors who are, physically and
mentally, at the end of their tethers - but ready to fight one last brutal
pitched battle.
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