Mary Stephen |
Now serious cinephile David Hare has gone to the trouble of translating
Mary’s wonderful memoir into English. Here it is and thanks David.
The young Cecile Decugis |
I had
begun to do editing for Eric Rohmer with Cecile who always maintained great
gentleness with me, despite Eric’s strong remonstrations: “she’s making the
other crew all cry, aren’t you scared of her?”
Last
January on a whim I pulled up in my car where she lived, on the way back to my
own place in Sevres, and we spent an afternoon together, while freezing outside
in temperature, but completely warm in friendship, on the island of Seguin
where she had often filmed over the years.
If
Marie-Josette Yoyotte is gone, into the black screen of complete oblivion, the
death of Cécile Décugis has passed in total silence.
When
Rohmer suggested I become his assistant on La
Femme de l’Aviateur, (so I could earn a little dough and stay in France),
he later asked me if I would accept the post of assistant, after having already
made my first film. When I knew that Cecile had worked on A Bout de Souffle, which is such a mythical work for cinephiles all
over the world, I told Eric I would have been happy to sweep the floors for
Cecile.
Then
followed years of friendship, much of it at a distance. She never made me cry,
on the contrary she helped me get over youthful tears whenever there was a
matter of heartbreak or slight at perceived injustices to me, as a young Chinese
woman fresh from Canada. A trip in her Renault 2CV to go out for couscous
in the 15th Arrondissement... such careful attentiveness (which might surprise
those who didn’t know her), a quite unlikely friendship perhaps which I regret
to say I didn’t always acknowledge, so I
thought, when I returned to France in May.
That day
together in January in winter she wanted to keep me longer, she brought me into
the house, she gave me a DVD of her film about the demolition of the Renault
plant on the island of Seguin. Earlier she had asked me for my opinion about
her new film about her father, a short but emotional piece. I was
very moved by this film that she was struggling to finish with all kinds of
galleys, editing, format mixing... at the time it was incredible for me and my
children to see this woman at 86 or 87 keeping the faith as a filmmaker, and
being able to carry on with her work almost to the end. I would have liked to be able to say a last farewell...
Never postpone a telephone call you could make today until tomorrow....
Cecile Decugis and film-maker Jackie Reynal |
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