King of Peking (Sam Voutas, USA, Australia, China, 2017)
Poignant family issues and echoes of Cinema Paradiso characterize this very strong deadpan comedy.
Written and directed by Melbourne-born Sam Voutas, who lived in Beijing in the
1980s and 1990s as the child of diplomats. A promising film festival
crowd-pleaser.
The Giant (Johannes Nyholm, Sweden, 2016)
It’s a unique film: an odd, strange mixture of fantasy
with some annoying pretend-verite camerawork. The facial make-up is impressive
and the CGI for The Giant is particularly well done. Some of the
characterizations (particularly Rikard) are thin, but most of it works and the
film should prove a favourite with Festival audiences.
Editor's Note: Somehow or other I was prevailed upon to invest a minute amount of money in the crowd-funding section when King of Peking was going into production. The film has recently screened at the Tribeca Film Festival (NY) and other places.
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