The report in The
Guardian set off the alarm bells. One by one the heads of the various
cultural institutions located in Canberra gave their evidence to the recent
Senate Estimates Committee hearings. The National Library, the National Gallery
and the Australian Museum, among others, all reported that that they faced
having to make staff cuts or cut programs, extend exhibitions and the like in
order to comply with the Turnbull government’s demands for savings to be made.
The journalist who wrote The Guardian’s story either didn’t stick around for or
didn’t pick up on the fact that the NFSA also faced serious difficulties
notwithstanding having shed some 28 staff barely more than a year ago.
The Hansard record of proceedings for this particular discussion is now online and it reveals that at the Senate Estimates hearings NFSA Chief Executive
Michael Loebenstein explained the forecast cuts thus:
The
impact of the MYEFO adjustment to the National Film and Sound Archive of
Australia's budget will be: a $387,000 reduction this current financial year; a
$890,000 reduction in 2016-17; a $897,000 reduction in 2017-18; and, finally, a
$905,000 reduction in 2018-19.
Responding to a question as to what would be done
Loebenstein went on to say:
I can summarise it as: try to do things differently, look at everything
that is discretionary, focus even more on what work is undertaken in the agency
that is unique and look at all of us as a mosaic of organisations that add up
to a whole of the national collecting sector here in this country. We will take
a good hard look at what is expendable, what can be faced differently, what we
can reduce doing and what we can stop doing. So it is no different than the
other agencies. In the expenditure mix of the National Film and Sound Archive,
employee benefits make up 70 per cent of our appropriation, about 20 per cent
is supply expenses—you will appreciate that there is very little discretion in
that space; it only amounts to about $5 million per annum—and property
operating expenses only make up 10 per cent. So we are confident,
unfortunately, that we will have to look at our staffing base again. ....
We
have started engaging not only with management in the NFSA but across the
organisation, informing our workforce that after an organisational restructure
and fairly substantial staffing losses about 18 months ago we would again be
going through a process of looking under every single rock and looking at every
single aspect of our business. We were very transparent with our workforce this
time around that staffing losses will be unavoidable, but that we did not
yet—and still do not—know the scale. You can do some rough calculations based
on an FTE average, but that is averages, that is statistics; that is not
people. Until we finish the process of consulting across the organisation and
working with our senior managers, our line managers, our workplace consultative
committee and our staff representatives to sort out what aspects of our work we
are going to do differently, we will not know what those staffing losses will
be.
The effect of these cuts, modest as they may be, leaves unanswered the question facing the the Turnbull Government and its Communications Minister Senator Mitch Fifield. Neither Government nor Minister have yet been persuaded, to the extent of financial commitment on the table, of the need for large scale additional government investment for digitisation of the NFSA collection. Michael Loebenstein, in a recent note sent to NFSA sympathisers and supporters advised that Fifield, on a visit to the NFSA demonstrated great interest, and
substantial knowledge of the issue of media obsolescence, and the need for
large-scale digitisation. This interest thus far hasn't translated into any additional funding for a task that becomes ever more pressing and perilous by the day.
No questions were asked so none answered regarding the NFSA's digitisation requirements in the immediate future.
No questions were asked so none answered regarding the NFSA's digitisation requirements in the immediate future.
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