A week from now, both Cristina
Álvarez López & Adrian Martin will be in
Melbourne to give three lectures/presentations, each containing a bunch of
audiovisual pieces (some of which will be world premieres!). On 1 March they
are at Monash Caulfield campus, 2-4pm, to give a Masterclass on Audiovisual
Essays as Creative Screen/Media Research. On March 8 at ACMI 6.30pm is their
"David Lynch and David Bowie: Outside/Twin Peaks" show (see link
below: bookings with ACMI are required for this). On March 15, 5-7pm Tuesday in
Building 11 (Menzies) S704 they are out at Monash Clayton to lecture on Hou
Hsiao-hsien, using some of the as-yet-unreleased recent video essay work
they've done for the Belgian Cinematek. And then they are gone! If you want to
know about or attend the Monash events, please contact Deane Williams. For ACMI info hit this link.
Adrian has also posted 2 new texts in the
6th issue of LOLA magazine: His essay "Jacques Rivette's Phantoms"
(updated from a little-known 2010 text, in order to pay tribute to this great
director), and Sarinah
Masukor's terrific
piece on Mia Hansen-Løve's EDEN.
Here’s the opening para of the Rivette piece: A
proposition: the cinema of Jacques Rivette (1928-2016)
is profoundly psychoanalytic. It is psychoanalytic through and through, on
every level, and in at least two major ways. First, it practices a wild
psychoanalysis – arising from the many forms of improvisation, play, psychodrama,
encounter, desiring impulse and acting out. Second, it practices a reflective,
secretive, inward-turning psychoanalysis, attuned to the silent working-through
of trauma and its after-effects of both mourning and oblivion. This second
psychoanalysis is captured well in the poignant koan at the heart of the director’s final
film, 36 Views of Pic Saint-Loup (aka Around
a Small Mountain, 2009), uttered by Jane Birkin in
the central role: ‘My curse is to remember … my curse is to forget’.
No comments:
Post a Comment
Note: only a member of this blog may post a comment.