Showing posts with label Ratings. Show all posts
Showing posts with label Ratings. Show all posts

Thursday, 25 June 2026

A BOLOGNA DIARY - IL CINEMA RITROVATO DAY 6 - Mitchell Leisen, Julien Duvivier, Josephine Baker - Updated critics' chart

Ruth Roman, Glenn Ford, Young Man with Ideas

You can get a surprise. I confess to never having heard of Young Man with Ideas, made by Mitchell Leisen at MGM  in 1952 and described in the catalogue as his "last significant film". Yet here it was in  what the catalogue also says was a 35mm copy but which I'm sure was a superb digital restoration. How do you sell a film with a title like that. Maybe that's part of the reason it sank below the radar. Sort of like Fassbinder's Despair... "Let's go the movies  and see Despair  ..wait a minute Young Man With Ideas is also on. You choose."

Glenn Ford plays a suburban lawyer, very dedicated and very smart, but his skills unappreciated by the partners in his law firm. After managing, without credit, a major victory in the courts he demands being made a partner or else he's off. The next thing we see is him fumbling his law text books into a cab. The family head for Los Angeles where he cant get admission to the Bar until he passes a tough State exam. Next thing he's inveigled into working as a debt collector. In the meantime his wife has taken a bet on a long shot at the races because the house they live in was formerly an SP bookie joint.

It's rich with melodrama and my summary leaves out the crucial role played by Ruth Roman as the sometimes supportive, sometimes a hindrance, wife and mother of Ford's three children. All the more impressive because you have no knowledge or expectations of the movie. But another demonstration of Leisen's craft in handling basically...well....anything. Any Leisen retro has to have this one....

Charles Boyer, Rita Hayworth, Tales of Manhattan

Julien Duvivier's Tales of Manhattan  has had a restoration supported by Martin Scorsese and George Lucas. This Ben Hecht script plays to all of Duvivier's strengths as a story teller and here, modelling the movie on the tradition of French 'film a sketches', he gets half of Hollywood's royalty to play modest parts - Charles Boyer, Rita Hayworth, Ginger Rogers, Henry Fonda, Charles Laughton, Edward G Robinson and Paul Robeson play leads and a couple of dozen more play minor parts. Probably the best film Duvivier made during his Hollywood exile during WW2...beautiful new digital copy.

Josephine Baker, Zouzou

The Josephine Baker strand is relegated to one of the smaller cinemas in the Lumiere building at the Cineteca di Bologna. She's a coterie taste but a subject for endless curiosity not just for her modest movie achievements but her  pioneering spirit as a black woman in a white world, her role in the Resistance during WW2 and her later in life adoption of a bundle of children. Zouzou (Marc Allegret, 1934) is one of a small number of feature films she made and I sat there entranced by it all. The final 20+ minute show is a knockout and Josephine's songs indicate that she had an extraordinary voice to go with unrivalled skills as a dancer.

Film

Geoff Gardner

Spiro Economopoulos

Ross Barnard

L’Innocente (Luchino Visconti)

 

****

 

Kuroi Junin No Onna/Ten Black Women (Kon Ichikawa)

*

***

 

Ten Seconds to Hell (Robert Aldrich)

 

***

 

***

Osho /The Chess Master(Daisuke Ito)

*

 

 

Amma Ariyan (John Abraham)

*

 

 

Geru No Kobi/The Servant’s Neck (Daisuke Ito

***

 

 

Oborokago/The Inner Palace Conspiracy (Daisuke Ito)

***

 

 

Ladies of Leisure (Frank Capra)

 

 

***

Sunrise (F W Murnau)

 

 

****

Night Nurse (William A Wellman)

 

 

***

The Overcoat (Grigory Kozintsev & Leonid Trauberg)

 

 

*

La Bugiarda (Luigi Comencini)

 

 

***

Putney Swope (Robert Downey)

 

 

***

Eight Girls in a Boat (Richard Wallace)

*

 

***

The Devils (Ken Russell)

 

***

****

Mirages de Paris (Feodor Ocep)

**

 

 

The Cycle (Darish Mehrjui)

****

 

 

Curse of Frankenstein (Terence Fisher)

 

***

***

La Derive (Paule Delsol)

***

 

**

Perfume of the Lady in Black (Francisco Barilli)

 

***

 

Accident (Jospeh Losey )

 

**

***

The Damned (Luchino Visconti)

 

***

 

Die Fremde Vogel (Urban Gad)

***

 

 

Senso (Luchino Visconti)

 

****

 

Lenny (Bob Fosse)

 

***

 

Zouzou (Marc Allegret)

**

 

 

Meren Kasvojen Edessa/By the Edge of the Sea (Teuvo Puro)

 

 

**

What Price Glory (Raoul Walsh)

 

 

***

L’Image Originelle – Wim Wenders (Pierre Henri Gibert)

 

 

***

 

Drakula in Istanbul (Mehmet Mutar)

 

 

**

Sa Dam Ying/Big Boss Sis (Chung Sun)

 

 

**

Clash By Night (Fritz Lang)

 

 

***

Tales of Manhattan (Julien Duvivier)

**

 

**

Young Man with Ideas (Mitchell Leisen)

***

 

 


Monday, 22 June 2026

A BOLOGNA DIARY - IL CINEMA RITROVATO DAY 3 - Dariush Mehrjui, Mitchell Leisen, Daisuke Ito, Roy Del Ruth - Updated critics' chart

 

Lyle Bettger, Barbara Stanwyck, John Lund, No Man of Her Own

The day got off to a ripping start with a screening of Dariush Mehrjui's 1974 masterpiece The Cycle. Restored by the Cinematheque Francaise from apparently the only surviving print (with burnt in French subtitles) this mighty film remains as a fearless stick poked at the rampant petty corruption in Iranian society... but its what you do to make a living.
 
It's becoming clear that Daisuke Ito had a very uneven output. I did not book any tickets for the silent films with Benshi accompaniment. An oversight I regret that arose largely because of my desire to restrict my schedule to the Jolly, Arlecchino and Lumiere cinemas. Mistake. The programming into the Modernissimo is probably the most adventurous and already includes the remarkable 3D screenings of Lumber Jack-Rabbit (Chuck Jones, USA, 1953) and The Phantom of the Rue Morgue (Roy Del Ruth, USA, 1954). The name Roy Del Ruth usually produces something between a shrug, an eye roll and oh no. The young person doing the intro gave us a brief history of 3D, mentioned the 'star' Karl Malden and was generally enthusiastic. Was Karl Malden ever a 'star'? I don't think so.

But four films into the Ito sound selection, with the latest being his possibly monumentally intended Oedo Gonin Otoko/Five Men From Edo (1951) have their longueurs. The last named film wasn't helped by an interminable and largely uninformative intro by Italian director Francesco Sossai. It included a sequence of Kabuki theatre that also lasted a couple of reels to make its point that the local Daimyo had a few skeletons in his closet.

The day was saved by Mitchell Leisen (USA, 1950). Leisen does it everywhere all the time, and another viewing of his great and only noir No Man of her Own confirmed his mastery. Imogen Sara Smith's intro was also a model of its kind.

Below is the latest chart with some entries by new contributor Ross Barnard long time administrator of the Sydney Film Festival (a role now elevated to the designation CEO) and now Secretary of the Cinema Pioneers.

Film

Geoff Gardner

Spiro Economopoulos

Ross Barnard

L’Innocente (Luchino Visconti)

 

****

 

Kuroi Junin No Onna/Ten Black Women (Kon Ichikawa)

*

***

 

Ten Seconds to Hell (Robert Aldrich)

 

***

 

***

Osho /The Chess Master(Daisuke Ito)

*

 

 

Amma Ariyan (John Abraham)

*

 

 

Geru No Kobi/The Servant’s Neck (Daisuke Ito

***

 

 

Oborokago/The Inner Palace Conspiracy (Daisuke Ito)

***

 

 

Ladies of Leisure (Frank Capra)

 

 

***

Sunrise (F W Murnau)

 

 

****

Night Nurse (William A Wellman)

 

 

***

The Overcoat (Grigory Kozintsev & Leonid Trauberg)

 

 

*

La Bugiarda (Luigi Comencini)

 

 

***

Putney Swope (Robert Downey)

 

 

***

Eight Girls in a Boat (Richard Wallace)

*

 

***

The Devils (Ken Russell)

 

 

****

Mirages de Paris (Feodor Ocep)

**

 

 

The Cycle (Dariush Mehrjui)

****

 

 

 

Sunday, 21 June 2026

Il CINEMA RITROVATO - A Bologna Diary Day 2 - An early critics' chart

 

Kuroi Junin No Onna/Ten Black Women (Kon Ichikawa)

Some quick opinions 

Film

Geoff Gardner

Spiro Economopoulos

L’Innocente (Luchino Visconti)

 

****

Kuroi Junin No Onna/Ten Black Women (Kon Ichikawa)

*

***

Ten Seconds to Hell (Robert Aldrich)

 

***

 

Osho /The Chess Master(Daisuke Ito)

*

 

Amma Ariyan (John Abraham)

*

 

Geru No Kobi/The Servant’s Neck (Daisuke Ito

***

 

Oborokago/The Inner Palace Conspiracy (Daisuke Ito)

***

 


I dont want to make too much of a thing of it but the translated title of the Kon Ichikawa film Ten Black Women is surely an inaccurately rendered translation. I reckon it should be TEN WOMEN IN BLACK... Just saying before it goes too far on the international circuit if indeed it does, being somewhat of a disappointment to moi at least