Showing posts with label Josephine Baker. Show all posts
Showing posts with label Josephine Baker. Show all posts

Sunday, 28 June 2026

A BOLOGNA DIARY - IL CINEMA RITROVATO DAY 8 - Charlie Chaplin, Mitchell Leisen, Josephine Baker, a group photo and final critics' chart


Highlight of the official final night of Il Cinema Ritrovato 2026 was the screening in the Piazza Maggiore  of one of the ten greatest films ever made Charles Chaplin's A Dog's Life (USA, 1918) in a double bill with Charlie's Shoulder Arms (1918), accompanied by a full orchestra conducted by Neil Brand. Dave Kehr of MoMA in New York, which did the restoration, succinctly explained how they had gone back and found the original material and thus were able to supersede the version long circulating that Chaplin himself had put together from out-takes and other sources. Dave's intro was then followed by some interminably long and  totally already known thoughts offered by Arnold Lozano of the Association Chaplin/Roy Export, the price you probably have to pay to keep in good with the zealous protectors of the great man's legacy. 

Ginger Rogers PR shot for Ladyin the Dark

Before that happened there had been a screening of one of Mitchell Leisen's failures, Lady in the Dark (1944). The main problem was that some idiot at Paramount, not named by Wikipedia in its succinct description, decided to remove most of the Kurt Weill & Ira Gershwin songs that thrilled Broadway audiences in 1941. Wikipedia says: "The film version cut most of the Weill/Gershwin songs from the score. .. Part of "My Ship" was hummed by Ginger Rogers, but the song itself was never sung." If you want to know about the song here's Julie Andrew singing it in Star. The Technicolor archive 35mm print on display was sensational. In its day the film was a 'success".

Josephine Baker, The Siren of the Tropics

The afternoon was taken up with the final apparitions of Josephine Baker. Her
Fausse Alerte/False Alarm  from  1942 has her as part of a big ensemble cast as the population of Paris is being called on to respond to German bombing and her silent La Sirene des Tropiques/ The Siren of the Tropics has her as a local who saves the hero, a young man sent out to some colony as  a way of breaking up his relationship. His boss is under instructions to ensure he never comes back. Neither of them are up to the magnificent Zouzou. 

...and here's a bunch of people eating at La Pirata del Porto on the final night...five of them are from the Cinema Reborn Organising Committee... silent film accompanist Maud Nelissen was at the table but has managed to keep herself hidden!

Final night before most head off (Photo Ross Barnard)

Film

Geoff Gardner

Spiro Economopoulos

Ross Barnard

L’Innocente (Luchino Visconti)

 

****

 

Kuroi Junin No Onna/Ten Black Women (Kon Ichikawa)

*

***

 

Ten Seconds to Hell (Robert Aldrich)

 

***

 

***

Osho /The Chess Master(Daisuke Ito)

*

 

 

Amma Ariyan (John Abraham)

*

 

 

Geru No Kobi/The Servant’s Neck (Daisuke Ito

***

 

 

Oborokago/The Inner Palace Conspiracy (Daisuke Ito)

***

 

 

Ladies of Leisure (Frank Capra)

 

 

***

Sunrise (F W Murnau)

 

 

****

Night Nurse (William A Wellman)

 

 

***

The Overcoat (Grigory Kozintsev & Leonid Trauberg)

 

 

*

La Bugiarda (Luigi Comencini)

 

 

***

Putney Swope (Robert Downey)

 

 

***

Eight Girls in a Boat (Richard Wallace)

*

 

***

The Devils (Ken Russell)

 

***

****

Mirages de Paris (Feodor Ocep)

**

 

 

The Cycle (Darish Mehrjui)

****

 

 

Curse of Frankenstein (Terence Fisher)

 

***

***

La Derive (Paule Delsol)

***

 

**

Perfume of the Lady in Black (Francisco Barilli)

 

***

 

Accident (Joseph Losey )

 

**

***

The Damned (Luchino Visconti)

 

***

 

Die Fremde Vogel (Urban Gad)

***

 

 

Senso (Luchino Visconti)

 

****

 

Lenny (Bob Fosse)

 

***

 

Zouzou (Marc Allegret)

**

 

 

Meren Kasvojen Edessa/By the Edge of the Sea (Teuvo Puro)

 

 

**

What Price Glory (Raoul Walsh)

 

 

***

L’Image Originelle – Wim Wenders (Pierre Henri Gibert)

 

 

***

 

Drakula in Istanbul (Mehmet Mutar)

 

 

**

Sa Dam Ying/Big Boss Sis (Chung Sun)

 

**

**

Clash By Night (Fritz Lang)

 

 

***

Tales of Manhattan (Julien Duvivier)

**

 

**

Young Man with Ideas (Mitchell Leisen)

***

 

 

Darling, How Could You! (Mitchell Leisen)

***

 

 

Nagarik (Ritwik Ghatak)

**

 

 

A Man on the Beach (Joseph Losey)

***

 

 

House of Usher (Roger Corman)

 

***

 

Death in Venice (Luchino Visconti)

 

***

 

The Pornographers (Shoehei Imamura)

 

**

 

Peking Opera Blues (Tsui Hark)

 

***

 

A Dog’s Life (Charles Chaplin

****

 

 

Lady in the Dark (Mitchell Leisen)

*

 

 

False Alarm/Fausse Alerte (Jean de Baroncelli)

**

 

 

Ossessione  (Luchino Visconti)

 

 

**

Princesse Tam Tam (Edmond T Greville)

 

 

***

The Bartered Bride (Max Ophuls)

 

 

**

Thursday, 25 June 2026

A BOLOGNA DIARY - IL CINEMA RITROVATO DAY 6 - Mitchell Leisen, Julien Duvivier, Josephine Baker - Updated critics' chart

Ruth Roman, Glenn Ford, Young Man with Ideas

You can get a surprise. I confess to never having heard of Young Man with Ideas, made by Mitchell Leisen at MGM  in 1952 and described in the catalogue as his "last significant film". Yet here it was in  what the catalogue also says was a 35mm copy but which I'm sure was a superb digital restoration. How do you sell a film with a title like that. Maybe that's part of the reason it sank below the radar. Sort of like Fassbinder's Despair... "Let's go the movies  and see Despair  ..wait a minute Young Man With Ideas is also on. You choose."

Glenn Ford plays a suburban lawyer, very dedicated and very smart, but his skills unappreciated by the partners in his law firm. After managing, without credit, a major victory in the courts he demands being made a partner or else he's off. The next thing we see is him fumbling his law text books into a cab. The family head for Los Angeles where he cant get admission to the Bar until he passes a tough State exam. Next thing he's inveigled into working as a debt collector. In the meantime his wife has taken a bet on a long shot at the races because the house they live in was formerly an SP bookie joint.

It's rich with melodrama and my summary leaves out the crucial role played by Ruth Roman as the sometimes supportive, sometimes a hindrance, wife and mother of Ford's three children. All the more impressive because you have no knowledge or expectations of the movie. But another demonstration of Leisen's craft in handling basically...well....anything. Any Leisen retro has to have this one....

Charles Boyer, Rita Hayworth, Tales of Manhattan

Julien Duvivier's Tales of Manhattan  has had a restoration supported by Martin Scorsese and George Lucas. This Ben Hecht script plays to all of Duvivier's strengths as a story teller and here, modelling the movie on the tradition of French 'film a sketches', he gets half of Hollywood's royalty to play modest parts - Charles Boyer, Rita Hayworth, Ginger Rogers, Henry Fonda, Charles Laughton, Edward G Robinson and Paul Robeson play leads and a couple of dozen more play minor parts. Probably the best film Duvivier made during his Hollywood exile during WW2...beautiful new digital copy.

Josephine Baker, Zouzou

The Josephine Baker strand is relegated to one of the smaller cinemas in the Lumiere building at the Cineteca di Bologna. She's a coterie taste but a subject for endless curiosity not just for her modest movie achievements but her  pioneering spirit as a black woman in a white world, her role in the Resistance during WW2 and her later in life adoption of a bundle of children. Zouzou (Marc Allegret, 1934) is one of a small number of feature films she made and I sat there entranced by it all. The final 20+ minute show is a knockout and Josephine's songs indicate that she had an extraordinary voice to go with unrivalled skills as a dancer.

Film

Geoff Gardner

Spiro Economopoulos

Ross Barnard

L’Innocente (Luchino Visconti)

 

****

 

Kuroi Junin No Onna/Ten Black Women (Kon Ichikawa)

*

***

 

Ten Seconds to Hell (Robert Aldrich)

 

***

 

***

Osho /The Chess Master(Daisuke Ito)

*

 

 

Amma Ariyan (John Abraham)

*

 

 

Geru No Kobi/The Servant’s Neck (Daisuke Ito

***

 

 

Oborokago/The Inner Palace Conspiracy (Daisuke Ito)

***

 

 

Ladies of Leisure (Frank Capra)

 

 

***

Sunrise (F W Murnau)

 

 

****

Night Nurse (William A Wellman)

 

 

***

The Overcoat (Grigory Kozintsev & Leonid Trauberg)

 

 

*

La Bugiarda (Luigi Comencini)

 

 

***

Putney Swope (Robert Downey)

 

 

***

Eight Girls in a Boat (Richard Wallace)

*

 

***

The Devils (Ken Russell)

 

***

****

Mirages de Paris (Feodor Ocep)

**

 

 

The Cycle (Darish Mehrjui)

****

 

 

Curse of Frankenstein (Terence Fisher)

 

***

***

La Derive (Paule Delsol)

***

 

**

Perfume of the Lady in Black (Francisco Barilli)

 

***

 

Accident (Jospeh Losey )

 

**

***

The Damned (Luchino Visconti)

 

***

 

Die Fremde Vogel (Urban Gad)

***

 

 

Senso (Luchino Visconti)

 

****

 

Lenny (Bob Fosse)

 

***

 

Zouzou (Marc Allegret)

**

 

 

Meren Kasvojen Edessa/By the Edge of the Sea (Teuvo Puro)

 

 

**

What Price Glory (Raoul Walsh)

 

 

***

L’Image Originelle – Wim Wenders (Pierre Henri Gibert)

 

 

***

 

Drakula in Istanbul (Mehmet Mutar)

 

 

**

Sa Dam Ying/Big Boss Sis (Chung Sun)

 

 

**

Clash By Night (Fritz Lang)

 

 

***

Tales of Manhattan (Julien Duvivier)

**

 

**

Young Man with Ideas (Mitchell Leisen)

***