Associate
Editor (Restorations and Revivals) Simon Taaffe has come across the following
screenings and other information. Click on the links for times, more detail etc
where indicated.
Dennis Hopper has been the
subject of a retrospective at Anthology Film Archives in New York. The AFA website offered these notes about a screening of Mad Dog Morgan (Phillipe Mora, Australia, 1976, 35mm).
“[PLEASE
NOTE: The film originally scheduled to screen on these dates - BLOODBATH -
became unavailable, so we have replaced it with MAD DOG MORGAN...which we
intended to include in the Dennis Hopper retrospective in any case, and
initially omitted only because we weren't able to find a print until after
going to press!]
“One of the
key movies in the birth of the Australian film industry, MAD DOG MORGAN is as
wild, free, and untamed as the pioneer Australian settler turned outlaw it
celebrates. Dan Morgan was a real-life figure, a desperado who roamed the bush,
committing robberies, drinking rum, killing people at the slightest provocation
and generally behaving like a maniac. Obviously not just anyone could play the
role, so director Philippe Mora brought in the only actor who could embody
Morgan’s peculiar brand of apeshit craziness: Dennis Hopper. Hopper was dead-on
perfect for Morgan but, unfortunately for the sanity of the cast and crew, he
was also a committed method actor who insisted on getting into the role by
drinking at least as much rum as the real Morgan and carrying loaded weapons
everywhere. At one point during the shoot Hopper drunkenly took off in a car to
visit the real Morgan’s grave. He was picked up in the state of Victoria for
drunken driving. When his blood alcohol content was measured he was declared legally
dead. His producers got him out of jail but he was forbidden by the court to
drive or even to be a passenger in a car in the territory!” –Lars Nilsen
The Coen Bros debut movie.
Remembered by the Film Alert editor when he saw it in performance of his duty
as a member of the Films Board of Review way back in 1984. Distributor Frank
Cox was most upset when the film was originally slapped with an audience-reducing “R”
certificate. The Review Board declined to lower the classification. My memory
says that when a spike went through a hand the Review Boarders, or at least a majority, blanched. The link here is to a screening organised by
the Toronto International Film Festival via its year round Cinematheque
screenings. (Aaah a year round Cinematheque! Such a luxury.)
Also at this Toronto venue
a digital restoration of Chris Marker’s masterpiece Sans
Soleil/Sunless (France, 1983), Polanski’s Tess in a 4K digital restoration,
Cassavetes 1974 A Woman Under the Influence screened via a
new 35mm print and Edward Yang’s A
Brighter Summer Day (Taiwan, 1991) a masterpiece restored to
4K digital (and also available to buyers here on Criterion Blu-ray whenever the
Barnes & Noble 50% sale is on, region A coded however).
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