Wendy Borchers, a former ABC film and TV archives researcher and producer, writes of the
re-discovery of SUNSTRUCK, James Gilbert’s 1972 film featuring Harry Secombe,
Maggie Fitzgibbon and John Meillon.
Graham Shirley, Chair of the Australian Media Oral History Group (AMOHG) recently circulated this note
to AMOHG members. This fascinating account of how Wendy
Borchers tracked down preservation, or at least duping materials for the
previously thought-to-be ‘lost’ (in the preservation sense) made-in-Australia
feature, Sunstruck (1972). Sunstruck was an Australian/US/English co-production
made with the assistance of the Australian Film Development Corporation. Its
producer, Jack Neary, had also been one of the people behind Wake in Fright (1971). Neary was a friend of Bobby Limb, and they
had been the ‘N’ and ‘L’ of Wake
in Fright’s production company, NLT
Productions which co-produced Sunstruck with Immigrant Productions. It was no great surprise that Limb and his wife Dawn Lake were cast in supporting roles in NLT’s other Australian film, Squeeze a Flower (1971) as well as Sunstruck.
Wendy
writes: Once upon a time I was house-sitting for my friend John Blogg (yes,
truly and he has a sister, Josephine) at Balgowlah while John and his family
were attending a reunion of teachers and pupils of Wongalea Primary School,
which was located outside Parkes. (The school has since been
reconstructed in the grounds of the Parkes Historical Society.) When John
returned to Sydney, he told me the story of how the character in the feature
film Sunstruck, played by Harry Secombe, was modelled on his father,
Cecil, whose first posting by the Department of Education,
after migrating to Australia from England in 1953, was Wongalea, a
real shock because, like the character in the film, he was expecting to be
posted to a school at the beach.
When the family enquired as to how they could
acquire a copy of Sunstruck, the librarian at Parkes Historical
Society, told them the film had been lost forever.
I could not understand at the time why I had not
heard of Sunstruck, since I earned a living as a film researcher, after
all, but soon learned when I started searching, that it was released in late
1972. Therefore, this meant that not only did I miss out on the most
exciting election of all time, but I missed out on Sunstruck too
because I was living in London at the time.
Anyway, of course I did not believe that the film
was lost forever, saying such a thing to me was like waving a red rag at a
bull, I could not believe this could be possible.
The NFSA only had a work print but
they suggested to me that I contact Tony Buckley, the editor of the film, who
suggested I contact the British Film Institute, who suggested I should contact
Pinewood Studios (Canal + Image UK Ltd) and subsequently a DVD (with BITC mind
you) appeared on my desk, 3 months after the search began.
.
I was super-excited, as you can imagine and so was Tony Buckley who was going to pursue the NFSA to acquire a copy for preservation purposes. (I had also learned that Pinewood hold original components for the film.)
.
I was super-excited, as you can imagine and so was Tony Buckley who was going to pursue the NFSA to acquire a copy for preservation purposes. (I had also learned that Pinewood hold original components for the film.)
Anyway, here's a transcription of a letter I
received from Josephine Blogg, an English teacher and daughter of Cecil:
Dear Wendy
Just a note to thank you for your amazing 'tracking
down' exercise, or should I say 'mission', in procuring a copy of SUNSTRUCK. What
a scoop! I watched it several weeks ago with Marie (who's now 98) Rose
and John (children of Marie and Cecil), Lara (daughter of Rose) and
Dave (husband of Lara) and we all thoroughly enjoyed it. It was a
real treat watching the famous Australian actors of yore, performing in an
hilarious 'outback' romp set in the old Wongalea school. Totally up there
with WAKE IN FRIGHT and THEY'RE A WEIRD MOB! We laughed all
the way and interestingly, the younger generation particularly enjoyed it,
seeming not to notice anything even slightly corny about the jokes, but viewing
it as a quaint era of greater innocence, which explains the strange
eccentricities of their aging relatives. Thanks for giving us such a
treat. What a shame the film isn't available in the video shops - it
would make a great HSC study under the title AUSTRALIAN IDENTITY!
Wongalea School on location certainly lived up to popular conceptions of the
horrors of 'outback life'. Actually the isolation was pretty accurate.
Pity the pub wasn't so handy when we lived there. Dad would have loved
it.
Love
Josephine
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